The Rainy Day Murders Progress Report

Over the past year, the question I was asked most is "When will The Rainy Day Murders be finished?"

For the last five years with the help of Ryan M. Place, I have researched and rewritten the entire manuscript three times and consulted editors twice. My original 144,000 word manuscript was too long and the narrative wandered. Publishing length guidelines for true crime range from 80,000 to 100,000 words.

In 2015, I set a personal goal to finish a top-to-bottom restructuring before the end of year. On New Year's Eve, I dotted the last i and crossed the last t. I managed to trim 35,000 words off the manuscript while improving the narrative flow.

The eye sees but doesn't see itself.

Over the past year, I asked five people to read and evaluate The Rainy Day Murders. Several of them commented on the title. They felt rain was not a factor in some of the seven murders. Fair enough. Currently, I am pitching the project using my original title In the Shadow of the Water Tower. What the final title becomes will be decided at some future editorial meeting.

Beginning with the San Diego State University Writers' Conference on January 22nd, I will begin pitching the book and seeking representation. The publishing business is demanding, unforgiving, and moves at its own speed. May this be the year In the Shadow of the Water Tower sees the light of day.

San Diego State University Writers' Conference

This past weekend, January 25-26th, I went to the "2014" San Diego State University Writer's Conference to shop The Rainy Day Murders around and see if I could generate some professional interest in it. 

This annual event matches writers with editors and agents, not so much to provide an active marketplace, but more to educate writers about the very complicated and evolving book business. It's impossible to be successful in publishing if you don't understand the rules of the business.

At one time, new authors could directly approach a publishing house with an unsolicited manuscript. In today's market, without the help of a literary agent, that door is closed to all but a few proven cash cows. Now, writers must query agents and/or editors to inspire them enough to take a chance on you. 

That's not as easy as it sounds because they all seem to be "Looking for the next new thing." Agents don't get paid by the writer; they work on a 15% book contract commission, so the competition is cutthroat.

I signed up for two Advanced Readings of the first ten pages of my newly completed manuscript in its first full, unedited form. One of the readings was with an editor and the other with an agent. 

The agent suggested that I redo my beginning to strengthen my personal connection to the John Norman Collins story. This was counter-intuitive to me as non-fiction should strive to be as objective as possible. "Not necessarily anymore," she said. After I gave her remark further thought, she may have helped me solve a narrative problem that's been troubling me.

My second reading was with an editor who was more positive and encouraging. Of all the submissions he reviewed over the weekend, he said he liked mine the best and recommended me for an editor's "Choice" award. The award is not meant to be a publishing offer of any kind; it is meant to encourage writers to stick with it.

After I make a complete revision and edit, I look forward to entering the marketplace and attracting some professional interest in The Rainy Day Murders. 

If I am unsuccessful in attracting a publisher, my true crime book will see the light of day, even if I have to self-publish it. This is a story that has waited a long time to be told. Too long!