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| Johnny in front of the original Lindell Bar |
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| Jimmy with Andre the Giant. |
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| Karras and the Bruiser in publicity still. |
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| Sonny Eliot behind the bar at the Lindell AC. Photo courtesy of Mel Butsicaris. |
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| Sonny Eliot |
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| Alex Karras and Curtis Yates |
News and Views of Gregory A. Fournier
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| Johnny in front of the original Lindell Bar |
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| Jimmy with Andre the Giant. |
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| Karras and the Bruiser in publicity still. |
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| Sonny Eliot behind the bar at the Lindell AC. Photo courtesy of Mel Butsicaris. |
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| Sonny Eliot |
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| Alex Karras and Curtis Yates |
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| Lou Gordon--Detroit Crusader |
Lou Gordon was born in Detroit on May 17, 1917, and was a product of Detroit public schools. He graduated in 1935 from Central High School on Tuxedo Street. Gordon attended one term at the University of Michigan, but this was during the Great Depression. He quit college to work as an insurance agent for United Life Accident Company. During World War II, Gordon became an air cadet and served for two years in the Army Air Corps.
After the war, Gordon returned to the University of Michigan on the G.I. Bill and earned a degree in journalism. He landed a job with the Booth Newspaper chain in Washington D.C. as a political reporter. There he met and became friends with famous liberal columnist Drew Pearson, who greatly influenced Gordon's development as a political pundit. Gordon was willing to take dangerous assignments dealing with organized crime figures and political corruption and soon began to make a name for himself.
When his father died in 1950, Lou returned home to Detroit to take care of his mother. To make a living, he became a district sales representative in Detroit for the White Stag sportswear line. He increased the firm's local business ten fold from $150,000/yr to $1.5 million/yr.
Through commissions, bonuses, and shrewd investing, Lou became independently wealthy, but he missed the rush and excitement of his journalism career. Gordon told Detroit Free Press reporter Billy Bowles once in an interview, "My heart was never in the sales business. I longed for the old days of politics."
In 1957, Gordon was hired by local Detroit radio station WXYZ as a political commentator and soon began building a fan base. WXYZ management realized Gordon's ability to attract an audience. He had an engaging smile and cast a strong media image. Gordon wore impeccably tailored suits and never looked less than his best. The station manager offered Lou a fifteen minute spot (10:45 pm - 11:00 pm) every weeknight called Detroit Deadline. Lou would discuss a single issue and interview a guest, often a local politician or community leader. Gordon did this for seven years.
The show was so popular that rival Detroit start-up station WKBD-TV (Channel 50) lured Lou away with a better offer in 1966. The station offered Lou his own ninety-minute show to air at 10:00 pm over the weekend on Saturday and Sunday nights. The Saturday night show discussed local Metropolitan Detroit issues which rankled and alienated people from across the political spectrum. On Sunday nights, the program discussed national political issues with any politicians or journalists who were brave enough to be his guests.
The Lou Gordon Program debuted in September of 1966. The background music heard under the program's title card was the instrumental interlude from the popular song "MacArthur Park." Lou would appear onscreen and say, "Welcome to the program, where there are no cue cards, no teleprompters, no idiot boards, just ad-lib conversation where we tell it like it is."
From the program's onset, Lou Gordon vowed "to speak out against social injustice and become the champion and voice for the common man." Working-class and middle-class Detroiters, aged 35 and above soon became Lou's loyal audience, especially when he took on the local utility companies accusing them of ripping off the public.
Modern television viewers are accustomed to the blood sport that modern politics has become. But in 1966, there was nothing else like The Lou Gordon Program on weekend, late night TV. Lou enjoyed drawing his guests into a lively conversation and carefully watching them for weak spots in their arguments before pouncing. Then, he would spring a "gotcha" moment on them.
Lou Gordon and his staff read many newspapers and political magazines from around the country researching them daily. When confronted with evidence, some guests would simply deny the facts, but they did so at their peril. Lou was prepared, even over-prepared some said. Other guests became angry or simply walked off the set mid-interview, and some would attack Lou, his facts, and his methods. All of it was good television.
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| George Romney -- GOP hopeful. |
What brought Lou and his program to national attention was an interview he did with former Michigan governor George Romney. Romney was a front runner in the Republican party to be their standard bearer for the presidency in 1968. During the interview, he came out against the war in Vietnam saying, "When I went on a fact-finding tour of Vietnam, the generals and the United States diplomatic corps tried to brainwash me."
Despite agreeing with Romney's position on the war, the newshound in Gordon recognized that Romney's careless use of the term "brainwash" was politically provocative and headline news. Because of the limited scope of WKBD's reach, Gordon called Detroit's New York Times bureau chief Jerry Flint and gave him the full transcript of the interview.
The Times ran the brainwashing remark as their headline and distributed the story on the news wire services. The national nightly news TV programs broadcast the story the next evening and most newspaper chains ran the story coast-to-coast in their morning editions. Shortly afterward, George Romney withdrew from the presidential race.
Lou Gordon's sudden national recognition prompted WKBD's owners to syndicate his show across all of their seven United States markets creating the first nationally recognized late night news discussion program. In 1971, the Lou Gordon Program could be seen in Detroit, Chicago, Cleveland, Boston, Philadelphia, San Francisco, and Los Angeles.
With today's internet technology, once a program file is created, a single person can send it to as many places as necessary with a database and a single key stroke. But in the early 1970s, VHS video tapes were recorded, copied, and send to each media market separately via the United States Post Office. This was labor and time intensive. The syndication gamble paid off. Lou's program became especially popular with the Los Angeles Hollywood crowd which helped him book celebrity guests.
As if Lou was not busy enough producing his own show, he also wrote a twice weekly political column for The Detroit News. His obsession with politics seemed limitless. Lou was truly a workaholic who loved what he did for a living.
The Lou Gordon Program ran for twelve years. At the top of his game, Gordon died in his sleep at his Bloomfield Hills home on May 24, 1977. Lou succumbed to complications of an aortic valve replacement. He was only sixty years old. Gordon left behind his wife Jackie and their five children: Carol, Debbie, Jon, Ruth, and Scott.
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| Lou and Jackie Gordon. Jackie would read Lou questions early in the broadcast sent in by viewers. |
On Friday, May 27, 1977, the Detroit Free Press reported on Lou Gordon's funeral service at the Ira Kaufman Chapel, attended by an overflowing crowd of nearly 700 people. Many statewide political people as well as local television celebrities like Bill Bonds, Bill Kennedy, and Sonny Eliot paid their final respects.
The oak casket had a sculpted Star of David carved into the lid. Jackie dressed in a white belted dress and dutifully greeted a long line of friends in a small, private reception room. Afterward, a black hearse took Lou Gordon to his final resting place, Clover Hill Park Cemetery in Royal Oak, followed by a gray limousine carrying Jackie and her family.
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| Bob-Lo Boat Columbia - 1903 |
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| S.S. Columbia in dry dock awaiting restoration - September 2014 |
| Bust of Antoine de la Mothe Cadillac |
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| Policemen display captured Black Legion vestments and the tools of their trade. |
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| 1937 Movie Lobby Card |
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| Charles Poole |
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| Originally titled Yankee Doodle Dandy, The Spirit of '76 was painted in 1876 by Archibald MacNeal Willard for the centennial celebrations in Philadelphia. |
Today, the most internationally recognized personification of the United States is Uncle Sam, but it wasn't always so. Before and during the Revolutionary War, the British Red Coats characterized ramshakle colonial soldiers as Yankee Doodle Dandies. It wasn't a compliment. The rousing British drinking song portrayed colonists as foppish, anti-royalists impugning their manhood.
The colonists were able to co-opt the insulting song and make it their own. Taking the song's melody, Edward Bangs--a Harvard University sophomore by day and a Minuteman by night--wrote fifteen new verses to the British song in 1775 and circulated the lyrics throughout New England. Yankee Doodle Dandy went from being an insult to a song of American national pride.
On September 7, 1813, Uncle Sam became the official nickname and image for the United States government. The name is attributed to cattle tender and meat packer Samuel Wilson. He supplied oak barrels of meat to the United States government for rations during the War of 1812. His workers stamped US on his government shipments, and he became known locally in Troy, New York as Uncle Sam. Soldiers soon picked up on the name.
Early on, the image of Uncle Sam did not have a standard appearance. Popular political cartoonist Thomas Nast is credited with the first image of Uncle Sam in a November 20, 1869 editorial cartoon in Harper's Weekly supporting the Fifteenth Amendment for universal sufferage. Uncle Sam (symbol of the government) and Columbia (symbol of the country) are hosting a Thanksgiving dinner for a group of diverse immigrants. Nash's Harper's Weekly editorial cartoon images of Uncle Sam helped establish the patriotic icon we know today.
The image we all recognize as Uncle Sam evolved over time. The long and lanky man with the white goatee and white hair, dressed in red and white striped pants, a dark blue frock coat, a white top hat with a blue starred band, and a red bow tie was the creation of James Montgomery Flagg for the famous 1917 World War I United States Army recruiting poster which was used again during World War II. Millions of copies were distributed establishing Uncle Sam as the national symbol of American patriotism and pride.
The earliest known personification of pre-United States appeared in 1738. Miss Columbia was the embodiment of liberty. European nations used the term "Columbia" to refer to the New World and then the thirteen colonies, based on the mistaken belief that Italian explorer Christopher Columbus discovered America. Miss Columbia's image was depicted as a strong, classical woman modeled after Greek goddess Athena and infused with a healthy dose of Americanism. She became a central figure in the narrative of early America, its values, its Westward expansion, and its promise of establishing the American ideals of liberty and justice for all.
When Columbia Pictures chose their trademark in 1924, they created a blended version of Miss Columbia with The Statue of Liberty pose, doing neither icon any favors. To compound Miss Columbia's troubles, some of America's most iconic coinage bore the image of Lady Liberty, who became the favored personification of liberty.
Columbia endures as the name of many cities and streets throughout the United States, as well as Columbia University in New York, Columbia Records, Columbia Pictures, Columbia Broadcasting System (CBS), and the name of our ill-fated space shuttle which exploded in mid-air on February 1, 2003.
Contemporary cartoonist for The Independent Weekly in Durham, North Carolina D.C. Rogers may have expressed it best, "One of the reasons Miss Columbia has declined is that The Statue of Liberty has risen." The most famous American monument to liberty was a gift from the people of France.
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| America's enduring symbol of freedom--The Statue of Liberty. |
Lady Liberty's image also has a long and distinguished history on American coinage. A one cent coin was struck in 1793. Liberty's cameo image was considered unattractive with a wild mane of hair and a balding, sloped forehead. It was quickly retired making this coin one of the most sought after American coins for collectors.
In 1878, George T. Morgan designed what is known as The Morgan Silver Dollar, prized by collectors because of its size and weight. The model for the coin, Anna Willness Williams, became known as the "Silver Dollar Girl." Morgan designed a cameo profile with Liberty's beautifully quaffed hair in a Phrygian cap which signifies freedom and the pursuit of liberty. This silver dollar was minted until 1921.
| Bulk salt waiting to be loaded for shipment |
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| Salt Pillar |