|Available in softcover, ebook, and audio.|
Longtime residents of Ypsilanti, Michigan may remember when a film crew from New York City rolled into town early in 1977 with Hollywood producer, director, and writer William Martin to film a movie about the Washtenaw County murders of 1967-1969.
Eastern Michigan University (EMU) freshman Karen Sue Beineman went missing on July 23, 1969 when she was last seen riding on the back of a motorcycle with a young, white male wearing a green and yellow striped soccer jersey and shorts. EMU senior John Norman Collins was arrested a week later. It was generally believed by authorities that Collins was the same person who had murdered six other young women in the area. It would be a year before the Beineman case went to trial in Ann Arbor, Michigan.
|Actor Robert Purvey on motorcycle and William Martin directing local actor Kathy Pierce.|
The second strike was that William Martin was an alias for Teamster organizer Martin Bacow, who reincarnated himself in Hollywood when he was the Teamster's man in Tinsel Town. His only other film credit was something called Jacktown about the 1952 Jackson Prison riot, which was so bad it was never released.
The third strike against the project was when Martin/Bacow was subpoenaed to testify in Detroit Federal Court as a material witness regarding Jimmy Hoffa's disappearance. That's the last time the film crew saw or heard from William Martin. They packed up their rented equipment and returned to New York. This movie was never produced, nor does a single bit of film footage exist. The enterprise amounted to a scam to defraud investors. More on that story is in the link at the end of this post.
My initial glee upon hearing about a possible Terror In Ypsilanti movie project is tempered by the seriousness of the subject matter. One of the standard provisions in my contract was signing away creative control. But the CEO of the media company asked if I'd be interested being a script consultant. Well, of course I would.
|Original mugshot--August 2, 1969.|
One concern I have about the project is how John Norman Collins will be portrayed. He drives the plot, but I feel he should remain a murky, anonymous figure throughout most of the series until he is unmasked towards the end. Rather than tell the story through his eyes, the screenplay writers are motivated to tell this story through the point of view of the victims, with a feminine sensibility rare in the true crime genre.
The Ann Arbor and Detroit media sensationalized this tragedy and intimated that the victims were somehow responsibile for their own demise. Perhaps this attitude relected the media's need to make a morality tale out of this tragedy, but collateral harm was done to their friends and families. Times have changed in fifty years, so it is my belief that these portrayals will be more respectful.
Another concern I have is how Ypsilanti will be portrayed. The city was deeply affected by this tragedy and that story needs to be told with sensitivity too. I hope some of the exteriors for the movie will be filmed in Ypsilanti to give the project an authentic look and feel.
Undoubtedly, some people will find the project repugnant and won't be happy whatever the outcome of the film. I already know one person in Marquette Branch Prison who won't be pleased. I expect this project to take several years before it is ready for prime time, but I'm optimistic it will come to pass, unlike the Now I Lay Me Down to Sleep fiasco. Hope I live long enough to see it.
Whatever happened to Now I Lay Me Down To Sleep?