Docuartist DeVon Cunningham--a Detroit Art Treasure--has Left this Vale of Tears

DeVon Cunningham and his loving partner Rose Johnson

Born in Tuscaloosa, Alabama on February 21, 1935, DeVon Cunningham began his art training at the tender age of eleven when he won a scholarship to the John Herron Art Institute in Indianapolis, Indiana. Part of his training was a two-week, all expenses paid seminar to study in Italy.

He continued his art training at the Detroit Center for Creative Studies and the Birmingham Bloomfield Art Center. Cunningham went on to complete a bachelor's degree from the Detroit Institute of Technology and a master's degree from Wayne State University.

While he was working as a community outreach and public relations executive for Detroit Edison, DeVon was painting. Over his long career, DeVon's paintings have appeared in many galleries including eleven one-man shows, and his work hangs in many private and public art collections. His work is digitally archived and indexed in the catalog for the National Portrait Gallery of the Smithsonian Institute.

In 1969, DeVon Cunningham achieved national recognition when he painted the mural of the Black Christ on the dome of St. Cecelia Catholic church at Livernois and Burlingame in Detroit. This work featured a twenty-four-foot, brown-skinned image of Jesus with six multiethnic angels beside him serving high mass. The church's parishioners were mostly African Americans from the neighborhood. The mural was a welcomed addition to this French Romanesque church built in 1930 before the ethnicity of the neighborhood changed.

A national controversy erupted when the mural appeared on the cover of Ebony magazine in March 1969. Twenty-five years later on December 25th, 1994, the mural once again became the topic of controversy when the New York Times featured the church mural on Christmas Day. Reverend Raymond Ellis, rector of St. Cecelia's, responded to the criticism in a Detroit Free Press interview.

"Black parishioners have a legitmate complaint when they walk into a church to worship and everything is white. Christianity forces people to accept Western European culture.

"The historical Christ was Hebrew, a Jew from the Middle East. He might have had dark skin; he might have been fair. But Christ is the head of the church, he is God, and he is any color people want him to be."

Cunningham's commissioned portraits of prominent Detroit community leaders include Martha Jean "The Queen" Steinberg, a WCHB radio personality active in Detroit's African American community; Coleman Young, the city's first black mayor; Abe Burnstein, Detroit's reputed Purple Gang boss during Prohibition; and many others.

The most mysterious portrait Cunningham has painted is of Motown founder Berry Gordy Jr. It was unveiled at Gordy's Boston-Edison mansion as a birthday present from his sister Anna Gordy Gaye--the wife of singer Marvin Gaye. Berry was quite moved and lauded the painting of him dressed up like Napoleon. Somewhere along the line, someone suggested that it might not be a compliment to be compared to Napoleon, and the painting disappeared. (More on that story appears in the link at the end of this post.)

Cunningham's portraits gave way to what he calls docuart that informs, instructs, and involves the viewer. His work combines symbolism with cultural iconography that leaves the viewer with a montage of images to ponder. DeVon's art not only appeals to the eye but also to the mind.

DeVon's jazz musician series typifies much of his later work. Historically, Detroit was instrumental in the 1920s through the 1950s for providing African American jazz and blues musicians venues to perform and make a living through their music. To document the historic relationship of Jews and African Americans, Cunningham painted legendary performers like Theolonius Monk, Louie Armstrong, Billie Holiday, and Miles Davis, who performed in Detroit's legendary nightclubs owned by Jewish impresarios who hired Black acts when other venue bookers would not.

Billie Holiday docuart

 

DeVon Cunningham has produced significant art that remains relevant in our changing times. The Spill the Honey foundation commissioned a series of paintings that emphasizes the shared legacy of Jewish people and African Americans seeking historical truth and social justice through educational and artistic programs. The theme of Cunningham's last body of work deals with the environment and the pollinators--both endangered.

Mr. Cunningham passed away at 1:00 am Monday morning, July 31st at the age of eighty-eight after complications from a prolonged illness. Only two weeks before, DeVon and Rose Johnson went to Cafe D'Mongo's in downtown Detroit for his last outing where he enjoyed meeting with some of his fans, my wife Sue and I among them.

Berry Gordy's Lost Portrait

 

Martha Jean the Queen 

Fornology Blog Reaches Two-Million Hits

Doing a radio interview in Ypsilanti, Michigan (2016).

I began writing my Fornology blog in April of 2011 in support of my full length books found in the left and right sidebars. All of my 535 posts have been free from the start to anybody who cared to read them. Each post is a mini-history covering Detroit and Southeastern Michigan topics about important historical events including notable personalities, both famous and infamous. 

Because of the regional subject matter of my writing, I thought my audience would be well-defined, but I was wrong. As I was approaching this personal milestone of two-million hits, I took a look at my All Time analytics to see what the statistics revealed. 

First, my Fornology blog is fourteen and a half years, so I'm no overnight success, but my blog's growth has been steadily growing. Second, what surprised me is that just over half of my total hits are from the United States. That's one-million, three-hundred thousand hits, mostly from Detroit and Michigan. It turns out that just under half of my total hits are international.

The top five countries that comprise my All Time audience are:

1. The United States - one-million, three-hundred thousand hits - mostly from Detroit and Michigan.
2. Singapore - one-hundred, twenty-three thousand hits.
3. Hong Kong - sixty-nine thousand hits.
4. Brazil - sixty-three thousand hits.
5. Russia - fifty-three thousand hits.

Why and how so many people from around the world are reading my blog posts, I wish I knew. But it pleases me that they do. When it comes to the free exchange of ideas - the more, the merrier.

For anyone interested! My top five All Time posts are:

1. Detroit's Greektown Stella - seventy-one thousand hits.
2. Ottawa War Chief Pontiac Attacks Fort Detroit - forty-three and a half thousand hits.
3. Alex Karras (Detroit Lion) and Dick the Bruiser's (Pro-wrestler) Detroit Bar Brawl - thirty-one and a half thousand hits.
4. Detroit's Liquid Gold - Vernor's Ginger Ale - twenty-three and a half thousand hits.
5. Detroit's Baby Boomer Kids' Show Hosts - twenty-one thousand hits.

A heartfelt thank you to my core domestic audience and to the many Facebook share sites that have allowed me to distribute my writing and reach so many people worldwide.

B'wana Don in Jungle-La with Bongo Bailey

B'wana Don and Bongo Bailey

B'wana Don in Jungle-La ran on WJBK-TV, channel 2 in Detroit, Michigan, from 1960 to 1963. The program's host, Don Hunt, was born in 1931 in Ferndale, Michigan. While a child, Don convinced his mother to allow him to purchase and raise mating pairs of Mallard ducks and Ringneck pheasants. When both pairs produced chicks, Don sold them to his friends. Little could he imagine then that animal propagation would become an important part of his life's work.

While attending St. James School in Ferndale, Don began working at Ferndale Feed and Pet Supply. After graduating in 1948, Don spent three years at the University of Detroit before being drafted and serving two years in the U.S. Army during the Korean War.

Upon his return home, Don heard the pet store he worked at was being sold. With the help of his parents, he bought a half-interest in the store for $20,000. Two stores later, Don took on the brand name B'wana Don and opened his own pet shop in 1959. He started wearing a safari outfit and hat with a leopard print headband. B'wana Don promoted his pet shop by making appearences on local Detroit television programs like Lunch with Soupy Sales and Popeye and Friends. He brought animals with him to teach Detroit youth about caring for their pets and being kind to animals.

These short cameo appearances led to WJBK-TV hiring Don Hunt to host his own weekend show aptly named B'wana Don in Jungle-La. The station built him an African trading post set known as Jungle-La. A large part of the program's success was Don's unpredictable chimpanzee co-star Bongo Bailey.

It soon became clear to the audience of mostly children that Bongo Bailey did not always follow the script, much to their delight. B'wana Don and Bongo Bailey regularly made appearances at the Michigan State Fair in the summer and the J.L. Hudson Thanksgiving Day Parade in late autumn.

When WJBK-TV's parent company Storer Broadcasting saw how popular the show was, they decided to fly Hunt and Bongo Bailey weekly in a private plane to Cleveland. The live Detroit show was filmed in the morning, and the Cleveland show was repeated live in the afternoon.

The show was a big hit and Storer Broadcasting syndicated it nationally. Hunt's weekly salary instantly rose to $5,000 a week. Storer Broadcasting began sending Hunt around Europe and Africa to showcase the world's animals in special programs.

While in Rome, Italy, to film segments for his B'wana Don program, Italian customs officials impounded the film crew's thirteen cases of equipment. It took a full nine hours to clear customs. After the film crew got their equipment, they began work on their project called B'wana Don and Topalino Visit Rome. 

Topalino was a small, white mouse that usually rode on Don's safari hat, but when Don knelt down to pet some neighborhood cats at the Roman Forum, Topalino retreated to B'wana Don's safari shirt breast pocket. The film crew also visited the Trevi Fountain and the Amphitheater. Much to Topalino's terror, everywhere they went, there were "cats, cats, cats."

Hunt traveled to Africa with his wife Iris, and they fell in love with Kenya. Don decided to move there to establish a game preserve for endangered African wild animals. WJBK-TV reported that Don Hunt quit his job over a contract dispute, but Don fell under the spell of Africa and found his calling as a preservationist and environmentalist. B'wana Don's dedicated kiddie audience was disappointed.

On December 25, 1964, Mrs. Irene Poremba from Redford, Michigan, was outraged enough that she wrote and complained to the Detroit Free Press on Christmas Day, "I'd like to know why B'wana Don is off WJBK-TV, and why it was replaced with that Happyland thing? My children loved watching B'wana Don. They cried when he went off the air and won't even watch Happyland."

Don Hunt in 1964.

In Kenya, Oscar-winning actor William Holden went on several photographic safaris lead by Don Hunt, and the men became friends. Together, they jointly created the 1,200 acre Mount Kenya Wildlife Conservancy in Nanyuki, Kenya, about 110 miles outside of Narobi. Hunt managed the conservancy while Holden continued making Hollywood films to raise money to help support the operation.

Because of a worldwide shortage of African animals for zoos, endangered animals were bred and sold to zoological societies to help finance the animal preserve. The game preserve included thirty-seven species of breeding herds to counteract diminishing herds due to over-hunting, poaching, and human demands made upon the land.

In 1969, Holden and Hunt filmed a promotional documentary called "Adventures at the Jade Sea." Rather than another program with big game hunters armed with elephant guns and local people of color carrying their gear, this program was different. The documentary showcased the deeply held beliefs of William Holden and Don Hunt in wildlife conservation and preservation. Holden was the on screen talent while Hunt worked behind the scenes. Back in Ferndale, Don's brother continued to run the B'wana Don Pet Shop.

Stephanie Powers and William Holden

A year after William Holden's death at the age of sixty-three on November 12, 1981, the William Holden Wildlife Federation was founded to honor Holden's dedication to wildlife and habitat conservation. The founders were Hollywood actress Stephanie Powers (Holden's life partner) and Don and Iris Hunt.

The charitable trust's Education Center strives to inspire a personal commitment to protect wildlife and the environment. The foundation teaches alternatives to habitat destruction and promotes innovations in energy production techniques with low environmental impact.

(B'wana) Don Hunt and Iris lived in Africa for almost fifty years. After Don suffered a stroke, the Hunts returned to Michigan. When that was, I was unable to establish. Some time later, on April 29, 2016, Don Hunt died at the age of eighty-four at Beaumont Hospital in Royal Oak. 

B'wana Don was able to do what few men can boast. He was able to successfully live out his dream.

Don Hunt's Detroit Public Television interview excerpt

More information on the William Holden Wildlife Federation