The John Norman Collins Movie - Part Three of Three

In 1976, William Martin, (aka: Martin "Marty" Bacow), billed himself as executive producer for a movie based on the Washtenaw County murders of seven young women in 1967-1969 and their accused killer, John Norman Collins. 

He reported in an Ypsilanti Press article dated October 13th, that he had completed the script seven months before.  The movie was slated to be called Now I Lay Me Down To Sleep, named after the children's bedtime prayer. "The filming should start sometime after the new year," Martin said.

William Martin, known as Marty, hired a New York film director (who wishes not to be identified) to assemble a film crew and come to Ypsilanti/Ann Arbor to shoot a low budget film. 

This Director of Photography (DP) says he and his crew drove two film trucks to Ann Arbor only to find that "Marty had no script, just a sketchy outline and nothing else. He had no cast, no locations, and he had only partial financing for the project." William Martin was confident that publicity would attract investors and additional funding, the life blood of the movie industry.

Rory Calhoun in "The Texan"

William Martin (executive producer) named local attorney Jay Kaufman to be the producer. It was his job to raise the money. Somehow, Martin was able to land Hollywood actors Rory Calhoun, to play a Michigan Sate Police post commander, and Kathryn Grayson of Hollywood musical fame, to play John

Kathryn Grayson in "Kiss Me Kate"

Norman Collins' aunt, Sandra Leik. These actors were represented by the same booking agent, who it was thought, owed Marty a favor. 
Psychic Peter Hurkos was hired to play himself and Bill Bonds, a local Detroit television newscaster, was also hired to play himself. Other roles would be cast by locals as they went along.


The DP said they shot footage for four or five weeks. On a typical day, there would be no casting and no preset location. "Marty rode around in a Cadillac convertible and literally acquired a cast and locations along the way. We were shooting cinema verite."

"For example, we went to the Michigan State Police headquarters and suddenly real state policemen were playing troopers in the movie, and we were shooting scenes in and around the police post."

Towards the end of the exterior and location shooting, Martin Bacow (aka: William Martin) was being questioned by Federal authorities about the disappearance of Teamster boss Jimmy Hoffa and where his body might be buried. Because of the controversy, word came down that the studio pulled the plug on the project.

The film crew was left high and dry. This was the weirdest film shoot any of them had ever been on, and they speculated that the film may have been a scheme to raise money and defraud investors.

William Martin produced several low budget movies over his career. One of them, Jacktown, is about a Jackson Prison inmate who tries to go straight in Royal Oak, Michigan. A short viewing of this film will convince anyone that William Martin (Martin Bacow) was no filmmaker.

When I wrote and contacted Paramount Pictures in Hollywood, I was told that they had no knowledge of Now I Lay Me Down To Sleep. Their archivist checked their records and film vault and found no evidence of any film rushes or publicity stills from the movie. They had no record or association with the film.

Further research on Martin "Marty" Bacow (aka: William Martin), discovered in a book entitled The Last Mogul by Dennis McDougal, revealed "Martin Bacow, a Hollywood jack of all trades, began his career in Southern California in 1948 as a boxing announcer, who then branched out over the next four decades to become an actor, screenwriter, labor negotiator, and a B movie producer."

A close associate of Teamster President Jackie Presser, Bacow was known as the Teamster's man in Hollywood. It was rumored he could start and settle labor disputes in Tinsel Town. 

The DP recollected that during the filming in Ann Arbor that "Marty was always seen in the presence of two Teamster consultants, William 'Candy' Davidson and Marvin 'The Steel Broker' Mulligan, who acted as Martin's private security."

Lost JNC Movie post - part one: http://fornology.blogspot.com/2012/05/the-lost-john-norman-collins-movie-part.html 

Lost JNC Movie post - part two: http://fornology.blogspot.com/2013/09/the-lost-john-norman-collins-movie-part.html

The Lost John Norman Collins Movie - Part Two

Now I Lay Me Down To Sleep was writer/producer/director William Martin's attempt to tell the story of the coed killings, alleged to have been committed by John Norman Collins in Ypsilanti and Ann Arbor, Michigan, between 1967 and 1969. The title comes from the well-known children's bedside prayer.

Martin made an earlier film in Michigan called Jacktown, the nickname for the world's largest walled prison at the time - Jackson State Prison. It was an uneasy mix of documentary footage from the Jackson prison riot in the 1950s, location shooting in Royal Oak, Michigan, and an uninspired script with wooden acting. What makes this movie fun to watch is how really bad it is.

As with Jacktown, Martin used seasoned actors in the lead roles for Now I Lay Me Down To Sleep and wanted some local talent to play several of the murdered girls. Local actress, Kathy Pierce of Chelsea, Michigan, was chosen to play the role of Karen Sue Beineman, the only murdered coed Collins was convicted of killing. Allison Date from Ann Arbor had also been cast as one of the victims.

As other writers have done in the past, Martin changed the names of the victims, which over time has obscured the girls' identities. Karen Sue Beineman was renamed Carol Ann Gebhardt in one account, Karry B. in another, and Norma Jean Fenneman in Martin's movie. By my count, the seven victims are referred to by no fewer than twenty-eight names in various treatments of this material. Is it any wonder the public is so confused about this case? John Norman Collins' character was to be called Brian Caldwell, played by veteran actor, Robert Purvey (See bio link for more information about him).

At first, Martin said he encountered lots of local resistance, but after the The Michigan Murders came out in 1976, resistance became pointless. Then, Collins' lawyers tried to get an injunction against the film because it prejudiced the appeals process against their client. At his own expense, Martin, offered to close down production of his film if John Collins would take a lie-detector test exonerating himself. He never did.

More serious was an Ann Arbor News report from July 30th, 1977, about William Martin being approached by "a large man with a beard" at about 10:00 AM as he was preparing for the day's shoot. The burly man poked his finger into Martin's chest and told him, "You, you're dead. We'll kill you!" Afterwards, Martin told of other threats to him and some of the film's stars. The article goes on to say, "a truckload of road blocks led some to believe that this film would never be made."

Last week, actor Robert Purvey contacted my researcher with a different story. He said that Martin had only half a script and asked Purvey to help write the story as they went along. They spent their days on location and their evenings feverishly preparing for the next day's shooting. Once the crew returned to Hollywood, there were additional studio scenes to shoot and post production costs skyrocketed, so the project was shelved.

Probably just as well. The story of the murders of these young woman deserves to be told accurately - not cobbled together like some mystery movie of the week. If William Martin's early film, Jacktown, is any indication, it is better that Now I Lay Me Down To Sleep never saw the light of day.