Murderabilia - Market for the Macabre

Since the 1970s, there has been a growing consumer market in serial killer themed merchandise and artifacts. Murderabilia refers to the collection, sale, and marketing of original artwork, articles of clothing, and personal possessions of notorious killers in general and serial killers in particular. Stories and books about serial killers have great appeal with the public and attest to the popular interest in this type of murder.

Image from the Shroud of Turin

Since biblical times, religious relics and artifacts were believed to have sacred qualities, a belief which carries down to our present day. The sale of splinters and nails from the crucifixion of Christ were sold throughout Europe during the Middle Ages, and the Shroud of Turin still has the ability to inspire the faithful, even after the discovery that it was made of Medieval period linen. The Catholic faithful continue to have their rosaries and scapulars blessed by the parish priest.

The trade in items belonging to serial killers or objects having been touched by them is the antithesis of religious relics or items like mass cards and rosary beads that have been blessed. It is believed that these items have an atavistic quality to them, but rather than being imbued with the sacred, serial killer artifacts are tainted with the profane.

The fascination with death and the dark side of humanity has a long history. The display of the bodies of the infamous has always drawn large crowds of gawking, respectable people. The public viewing of the Dalton Brothers and the James Gang comes to mind. In more recent times, John Dillinger and Bonnie and Clyde's bodies were photographed and given wide circulation in newspapers across American. In many places in America, hangings were public events, especially of ruthless killers.

The severed head of Joaquin Murrietta, legendary Mexican outlaw, was popular on the medicine show circuit in the Southwest and drew huge crowds. So many people were willing to pay to see the notorious bandit that several severed heads were known to be touring at the same time. For many people, the sight of a severed head pickled in a jar of alcohol was enough of an attraction regardless of the true identity of the victim. Touring attractions such as Al Capone's bulletproof car and the bullet-riddled car of Bonnie and Clyde still have the power to attract crowds at county fairs and other venues.

The first murder memorabilia I remember seeing was the chair President Abraham Lincoln was shot in by John Wilkes Booth in 1865. Henry Ford had the foresight to purchase the chair before it was lost to history.
Generations of Michigan youth have memories of trips to the Henry Ford Museum in Dearborn, Michigan and seeing this artifact of our shared national history, still stained with Lincoln's blood. 

Some murderabilia has more historical significance than others to be sure. American collectors in post World War II bought up as much Nazi memorabilia as they could. These artifacts include weapons, uniforms, medals, helmets, flags, and Nazi government documents. It wasn't until the 1980s and the advent of the public internet that the fascination with serial killers began to dominate the murderabilia trade.

Countless magazine articles, books, movies, and cable television shows have made celebrity devils out of many of the most infamous killers in American history. Names like Richard Speck, Richard Ramirez, John Wayne Gacy, Jeffery Dahmer, and the poster boy for American serial killers Ted Bundy are widely known and have become part of the criminal folklore of America.

Some people think the marketing of murderabilia is grotesque and immoral, and it should be illegal. They argue that the promotion and marketing of these ruthless serial killers contributes to their celebrity folk status and larger than life portrayals. Much of the public is disgusted with the idea that convicted sex-slayers can parade around like celebrities nourishing their egos at the expense of their victims and their families.

Son of Sam murders prompted new law.

Because of the feeding frenzy of New York publishers in 1977 to pay big money to David Berkowitz for the rights to tell his "Son of Sam" story, the New York State Assembly drafted and passed what is known as the "Son of Sam" law. The law's intent is to prevent convicted felons from profiting from their crimes through book publishers, film producers, or television networks. Convicts lose the ability to tell their own stories and profit from it.

Any money earned from "expressive or creative works" is deposited into an escrow account and then used to compensate crime victims and their families. Eight states currently have "notoriety-for-profit" laws that follow the money trial of murderabilia sales to insure that convicts don't make money indirectly through third-party involvement.

For my part, I have been purchasing the rights to every John Norman Collins related photograph available on the internet, not to buy and sell as murderabilia, but to use as research documentation in my true crime account of the Washtenaw County sex-slayings, The Rainy Day Murders. At some point, I will donate these photos and the government documents I have purchased to an archive in Ypsilanti, Michigan. For the record, I don't trade in murderabilia.

But recently I came across a site that sells Serial Killer Trading Cards, and I bought two of John Norman Collins' cards for under three dollars apiece. One for me and one for him. What prompted me to purchase them was that the card's writer got Collins' name wrong. It is listed as "Norman Collins." Norman Collins was a British author who is in no way related to John Norman Collins. Even in the subculture of murderabilia collectors, serial killer John Norman Collins cuts a sorry figure.    

Murderabilia dealer banned from Texas state prisons system: http://www.usatoday.com/story/news/nation/2014/11/04/murderabilia-website-prison-ban/18476067/    

"The Rainy Day Murders" Spring Status Report

 

Writing has come a long way since its beginnings as cuneiform messages pressed into soft clay tablets over five thousand years ago. Once the tablets dried, they were permanent records of business transactions and simple messages primarily. A notable exception being the oldest known literature ever found, The Epic of Gilgamesh, discovered in 1853 buried in the desert of what is now Iraq.

Ancient scribes wrote their important messages on vellum, which was made of scraped and tanned sheep or goat hide. Charcoal was ground and mixed with oils to create crude ink and applied with crude reed brushes or sticks. Vellum was much more portable than clay tablets, but it was much more perishable also. 

It was the Egyptians who developed papyrus which led to the eventual development of paper. Papyrus could be rolled into scrolls for easy storage and portability. 

The ancient Egyptians also inscribed their writing on the walls and columns of their important civic buildings, as did the Greek, Roman, and other notable empires. Much of what we know of ancient history comes from the ruins of these monuments.

The printing press with moveable type was invented in 1436 by Johannes Gutenberg in Germany. Now, ideas could be mass produced and public opinion shaped. This invention helped change the political landscape of Europe. Bound paper books and libraries have been the repositories of the world's knowledge for close to seven hundred years of human history. 

In our own time, books have lost favor to digital methods of recording our thoughts and ideas in ways we couldn't have imagined possible, even twenty years ago. The digital computer age has revolutionized how we work and how we live.

What humans have used to write with has also evolved over the ages. The reed stylus created the wedge shaped notations in moist clay used by the Sumerians and Babylonians. The Greeks and the Romans used bone or ivory styluses to imprint notes and messages on wax tablets, not to mention metal chisels to immortalize their empire's achievements in stone and marble.

Quill pens were developed around 700 A.D. which was an advancement that lasted until the development of the first pencils and fountain pens in the 1800s. Then, in the late1860s, the modern typewriter was invented to mechanize how we write. Sometime in the late 1980s, word processing and personal computers took over from the mechanical typewriter.

 

Today, most humans tap out their messages digitally on a keyboard or a touch screen. Instantaneous messaging can reach a global audience, with far reaching implications for the future. Ironically, humans are once again writing on tablets, only digital ones this time around.

So that brings me to the subject of this post. With all the advancements in writing technology over the millenniums and today's high-speed computing, why does it take so long for a book to be published?

1. First, the writer needs a solid idea to develop and write about. That can take years.
2. Next, the book needs to be researched and checked for facts, corrected, rewritten, and revised.
3. Then, the writer must hire a qualified editor to help bring the writing up to current publishing industry expectations.
4. Finally, the writer needs to find an agent interested enough in the project to pitch the book to a publisher who is willing to invest time and money promoting it in the marketplace.

Interested readers of this blog have been asking me with increasing frequency, "When will The Rainy Day Murders be available?

Currently, I'm in the rewriting stage and have lined up an editor to help me over the summer. When I feel I have a quality, professional manuscript, I will solicit an agent. Then, it is anybody's guess when I can attract a trade publisher.

Despite the high-speed internet age we live in, the publishing business is notoriously slow. The only thing I can say about when The Rainy Day Murders will be available is "Stay tuned."


Check out this link for five charts showing the current trends in the publishing business. I have my work cut out for me.
http://janefriedman.com/2014/03/21/5-valuable-charts/

"The Rainy Day Murders" Reflections

When I set out to write the full story of The Rainy Day Murders and the man accused of killing seven young women in and around Ypsilanti, Michigan (1967-1969), I was primarily concerned with recounting the facts and paying a long overdue debt to history.

What began as a simple attempt to recount the details of these ghastly slayings and the evidence against John Norman Collins became a much more personal and far reaching endeavor than I could have ever imagined.

In the last three and a half years, I have researched every bit of government documentation about these cases that Ryan M. Place and I have been able to lay our hands on. As valuable as that factual material is, it tells only the official part of the story.

Newspaper accounts from back in the day were helpful to me with providing commentary, revealing public opinion, establishing times and dates, and filling gaps in the public record of which there are many.

But without this age of internet personal communication, the story I am writing now could not have been told. I have been able to reach out to many people across the country who had information and were ready to share what they know from those times. 

Still, other people have contacted me through my blog, Gmail, or Facebook accounts wanting to tell their stories about their connections with the victims or the accused. Suddenly, the writing of this book became very personal.

It is this living history that adds texture and depth to this story. More often than not, these memories were difficult to share, but most people felt relieved telling their long hidden memories after forty-five years of silence.

Finding background information on the unfortunate victims began to give them personalities beyond the facts and the headlines I began my research with. The layering of one tragic case upon another has made this a difficult story to tell, but every bit of physical and circumstantial evidence I have been able to find points to one inescapable conclusion - the State of Michigan convicted the right guy.